2026 | Co-Author; Theoretical Study of Emotional Engagement & Artificial Intelligence in Animation, Journal of the Image, 17(1)
2026 | Co-Author; Korean Animation Identity and Theme Park Design, International Journal of Visual Design, 20(2)
2025 | Still the Water: Nature and Narrative; Journal of Communication & Media Studies, 10(1), 46-61
2025 | Transdisciplinary Creative Practices; Mantle: Review of Interdisciplinary Research, 6(1); University of British Columbia, 2(1)
2023 | Co-Author; Cultural Identity and Historical Nostalgia in Animated Film; Journal of Cultural Studies, 8(1)
2022 | Images and Narrative; Cutting Edge Journal, University of British Columbia; 6(1)
2022 | Lights, Camera, Music; The International Journal of the Image, 13(1)
2021 | Cinematography and Storytelling; Research on Humanities and Social Sciences, 11(20)
2019 | Cinematic Time-Space; Journal of New Media and Mass Communication, 82(1)
2018 | The In-Between; Journal of Arts & Humanities, 5(1)
2018 | Narrative Hiatus, Journal of New Media; Technology and the Arts, 13(2)
2017 | Storytelling: Time, Space, Intervals; Doctoral Thesis; University of Technology Sydney, 1–203
2013 | Empty Space and Silence; Journal of Arts and Design Studies, 15(1)
2012 | Poetry and Cinema; Journal of Literature and Art Studies, 2(4)
2012 | The Art of Making Mistakes; International Journal of Arts, 2(3)
2011 | Minimalism in Art and Design; Journal of Fine and Studio Art, 2(1)
2019 | Almost Nothing, 978-1257981809
2015 | Fiasco | Failing and Falling, 978-1105050503
2014 | Ink Painting, 978-1312208803
2011 | Of Minimalism: Art and Design, 978-3846505731
2026 | Prelude: Experimental Documentary Film, Temple University Japan Campus Academic Conference, Tokyo, Japan
2026 | Film Emotion, West East Institute Conference on Education & Humanities, University of Miami, FL, USA
2025 | Artificial Intelligence and Emotional Engagement in Animation, Asian Conference on Cultural Studies, Tokyo, Japan
2025 | Hybrid Research and Creative Methodologies, Temple University Japan Campus Academic Conference, Tokyo, Japan
2025 | Critical Thinking and Emotional Intelligence, AMPS Conference, California State University Los Angeles, CA, USA
2024 | Transdisciplinarity and Creative Communications, Graduate School Seminar, University of Hong Kong
2024 | Silence as Storytelling; International Conference on the Arts in Society; Hanyang University, Seoul, South Korea
2023 | Natural Narrative: West East Institute Conference on Education; Humanities and Social Sciences, Boston, MA, USA
2022 | Cultural Identity and Historical Nostalgia in Animation; Asian Conference on Media, Communication & Film, Kyoto, Japan
2022 | Role Models; International Research Conference on Management & Humanities; Harvard University, Boston, MA, USA
2021 | Film Sound and Silence; Asian Conference on Media; Communication & Film, Kyoto, Japan
2020 | Offscreen; International Conference on Communication & Media Studies; University of Toronto, ON, Canada
2019 | Space and Time in Film; Art Association of Australia and New Zealand; University of Auckland, New Zealand
2019 | The Right Thing; Conference on Education; Design and Practice; New York City, NY, USA
2019 | &; Art Teleported; Art Show and Conference; CICA Museum, Brooklyn, New York City, NY, USA
2018 | An Image Story; Sydney Screen Studies Symposium; Macquarie University, Sydney, Australia
2018 | Narrative Intervals; Thirteenth Conference on the Arts in Society; Emily Carr University, Vancouver, BC, Canada
2018 | Storytelling: Sense of Time; Asian Conference on Arts & Humanities, Kobe, Japan
2017 | Rests and the Rest, Sydney Screen Studies Symposium; University of New South Wales, Sydney, Australia
2016 | Experimental Film Narratives; European Conference on Media, Communication and Film, Brighton, UK
2015 | The Concept of Ma: Applications; Asian Conference on Media, Communication & Film, Kobe, Japan
2015 | And End; International Conference on Consciousness, Theater, Literature and the Arts, New York City, NY, USA
2014 | Experimental Cinematic Storytelling; Art//Matter Symposium; University of New South Wales, Australia
2013 | Post-Minimalism; Art Lecture Series; Hong Kong University of Science and Technology, Hong Kong
2026 | Reviewer; New Directions in the Humanities; International Journal of the Image; Common Ground Research, USA
2025 | Reviewer; The Image Research Network; Common Ground Research Networks; IL, USA
2025 | Senior Reviewer; Asian Conference on Cultural Studies; Tokyo, Japan
2024 | Reviewer; International Journal of New Media, Technology and the Arts, Common Ground Research Networks; IL, USA
2024 | Reviewer; Journal of Cultural Studies; Nagoya, Japan
2022 | Reviewer; Journal of Communication and Media Studies, Common Ground Research Networks; IL, USA
2021 | Reviewer; Asian Conference on Arts & Humanities; Tokyo, Japan
2020 | Reviewer; Interdisciplinary Social Sciences Journal Collection, Common Ground Research Networks; IL, USA
2020 | Reviewer; Asian Conference on Media, Communication and Film; Kyoto, Japan
2019 | Reviewer; International Journal of the Image, Common Ground Research Networks, IL, USA
2018 | Senior Reviewer; Conference on Heritage and the City; New York City, NY, USA
2017 | Reviewer; Asian Conference on Arts and Humanities; Kobe, Japan
2016 | Reviewer; Conference on Media, Communication and Film; Nagoya, Japan
2015 | Reviewer; Asian Conference on Film and Documentary; Kobe, Japan
2020–2026 | Official Jury Member; New York City Independent Film Festival, New York City, NY, USA
2022–2023 | Curriculum Development; Bachelor of Arts, Art Histories & Curatorial Practices; University of the Arts, Singapore
2014 | Curriculum Review; Master of Design; Whitehouse Institute of Design, Australia
2018–Present | International Academic Forum, Japan
2017–Present | Common Ground Research Networks, IL, USA
2013–Present | Artists Rights Society; New York City, NY, USA